DSCF1445 2020

2016 re-processing

I told you that I had started working on a book that would bring together photos of my 3 years spent in the streets of Aix-en-Provence. I have already made a selection of about 130 photos. I had paused this project because I was not satisfied with the processing of some old photos. The problem is that I no longer had control over these photos because I had lost the RAW files during a hard drive crash. Finally, I accidentally dropped the HDD on the ground and since then it no longer worked. I still waited 4 years before looking into the issue. So I sent the faulty HDD for a clean room data recovery. It cost me the tidy sum of € 800 …

So I recovered all of my RAW files from when I was using the Fuji XE2. These photos are all from 2016. The year I started doing Street Photography. My photos are deeply rooted in this not so distant time and yet I no longer recognize myself in these photos. I don’t deny the work I have done, but I don’t see myself in this aggressive processing. I had discovered Street Photography with Eric Kim who is a big Blogger who popularized this photographic style. Besides, I must admit that I copied his style because I liked what he did. I loved those dirty, grainy, high contrast photos. Since then my photographic style has evolved and I regretted not being able to retouch my old photos from 2016 … so I’m happy to have got my hands back on these RAW files to update photos that will surely be part of my book on Aix en Provence. I will present you some photos of 2016 re-processed in 2020. The difference is quite noticeable. I used reVision program which compiles the two photos to have a “before” “after”. You just need to move the vertical white bar.

  • #1

This photo is not part of my Aix-en-Provence selection, but I wanted to re-process it because even if it has a certain charm with its burnt whites, its deep shadows, its dirty side, I wanted to work this photo as I will in 2020. It was a shock to me to see the newly edited photo. All these details of the face which were drowned in a contrast too pushed to the extreme.

  • #2